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Scott Masters
(1934 - living) U.S.A.

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Porno movies director

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Masters grew up in Illinois in a Jewish family, and attended college there. In 1966 he went to San Francisco, California, from Chicago. Many of the bookstores (including gay and adult bookstores) which he visited were openly selling gay and lesbian pornography. He established a small business purchasing gay pornographic magazines for area booksellers. He began selling nude male photosets from such notable photographers of the male nude as Bruce Bellas ("Bruce of L.A.") and Walter Kundzicz (Champion Studio), as well as softcore nude films from Athletic Model Guild.

In late 1967, he formed a partnership with Reuben Sturman to print and distribute one-off magazines featuring the work of Kundzicz. The first magazine was Champions All, published in the spring of 1968. Moving full-time to San Francisco from Chicago, Masters took up work as a full-time bookkeeper at a printing company. He began taking photographs of nude men on the side to supply his magazines with images.

Although the U.S. Supreme Court had ruled that images of the male nude were not obscene, U.S. postal inspectors still considered the tumescent and erect penis obscene under then-current interpretations of American federal postal and obscenity law and court rulings. Nevertheless, Masters took hardcore as well as softcore images, and images of solo, duo and group sex.

In 1969, Masters began producing hardcore gay male nude magazines. The Supreme Court had further liberalized the standards for obscenity, and several lower-court rulings had significantly undercut the ability of state and federal authorities to seize even materials which depicted hardcore sexual activity between individuals of the same gender. The first such magazine was Hard?. By the end of the year, Masters was producing as many as six magazines a month.

In 1970, Masters produced his first film, Drilled Deep. It was a "loop" (an 8mm short film, roughly 200 feet in length, designed to run over and over in peep shows), and starred Jim Cassidy - at the time a popular underground hardcore gay porn star. To distribute his hardcore films, Masters established his first adult film studio, named The Stephens Agency. Masters closed the distribution business in 1972 because it was unprofitable. However, he continued to direct loops with former Hollywood lighting technician and cinematographer Jim Randall.

Masters is responsible for developing the "West Coast Look" of gay pornography - a very stylized and planned filmmaking style. The films were like staged plays, with very linear story-telling. "Tight transitions" were inserted between each scene to add continuity and establish setting, mood, and theme. Each scene sequenced almost formulaically "from master shot to medium shot to close-up, with frequent returns to the master shot." The lighting was strong, and tended to eliminate shadows and expose flaws in the performers' skin. Models' hair was carefully groomed, make-up was used, and cleanliness emphasized.

That same year, Masters was prosecuted in Texas for obscenity. He pled guilty. He received a one year suspended sentence, three years of probation, and a fine. The judge waived the fine because Masters told him he was putting a child through college. What Masters said was true, but he did not reveal that the college-age student was also his gay lover. After his sentencing, Masters cut back on the number of brochures, magazines and loops he produced but did not exit the adult film industry. By 1976, however, Masters had directed more than 100 loops.

In 1973, Master directed his first feature-length hardcore gay adult film. The film was Greek Lightning, produced for Jaguar Productions and starring gay porn star Jimmy Hughes. Using guerrilla filmmaking techniques, Masters produced one of the best-selling gay adult films of the 1970s:

"We did some rather audacious things. We shot on top of a train in Train Town in Griffith Park without a permit, while one of us was given one of the guards money and another of us was talking to another guard, just so we could get the shots finished. We knew we couldn't be there long. All we had to do was do our legerdemain for five or ten minutes and be out of there. And we certainly couldn't pay for it."

Masters heartily disliked that sort of filmmaking process. Jaguar Productions later heavily edited the film, angering Masters so much that he vowed not to make another film.

In late 1973, Masters founded In Touch (now known as In Touch for Men), a softcore gay porn magazine. But after two years, Masters turned over management of the magazine to a third party (while retaining ownership).

In 1976, Masters (using the name Robert Walters) founded Nova Studios, distributing films through direct mail as well as adult bookstores. The studio's first production was Tubtricks. Masters doubled the length of Nova Studios' loops to more than 400 feet, extending each film's running time to nearly 20 minutes.

Masters began licensing many of his pre-Nova loops and early Nova Studios material on video in 1980. Unbeknownst to Masters, however, his lover had been licensing much of the same material to a wide variety of customers without Master's knowledge. The studio's financial situation deteriorated as this material began to flood the marketplace (much of it in degraded quality).

Masters attempted to keep Nova Studios afloat by finally producing sound films. In 1981, Masters bowed to public demand for sound film and financial pressures and produced It's the Life. Filming went so poorly that Masters eventually shot most of the film without sound. Masters would not finally produce a sound film until 1983. But in the intervening two years, Nova Studios lost critical market share. Masters began dubbing older silent loops in 1981 as well. He added music, some narration, and asynchronous sexual sounds to the films and began re-releasing these to make money.

In 1984, Masters hired Chet Thomas as an editor, and Thomas worked on several of Nova Studios' final films. But later that year, Masters' partner embezzeled the company's entire bank account and fled with the master print of the latest Nova Studio release, Boys Town. Masters subsequently discovered that the company's taxes had not been paid for several years. Faced with a large tax bill and $60,000 in debt, Masters licensed the remainder of his studio's products to a third party.

Nova Studios ceased to make gay adult films in late 1986.

In 1987, Masters was hired as head of production for Catalina Video. Higgins had founded Catalina in 1978. Catalina Video had been distributing Nova Studios' films to adult bookstores and video stores since about 1982. With Nova Studios in financial distress, Higgins and Masters struck a deal: Catalina would purchase the rights to the unreleased Boys Town. Masters would be free to sell the rights to all his other films to another vendor. Catalina would also hire Masters as its head of production, where he would also be free to write and direct films on an occasional basis.

During his time at Catalina, Masters also became good friends with director John Travis. Travis had been working for Brentwood Studios and Falcon Studios since the early 1970s. In 1988, Masters hired him away from Falcon. The first film Travis helmed under Masters' supervision was My Best Buddy (1988). Travis had a problematic work ethic at Falcon. But Masters and Travis found working together easy, and Travis' productivity increased dramatically.

In 1989, Masters hired Josh Eliot as a director for Catalina. Catalina was expanding, and wanted to open a second studio in San Francisco. Although hired initially just to run the office, Eliot quickly became one of Catalina's top directors.

Masters is also partly responsible for the career of gay adult film director Chi Chi LaRue. LaRue had come to California in 1987 and gotten a job in Catalina's sales department. He had been promoted to the promotions department, and sought a directing job. Masters, however, refused to give him one. LaRue left Catalina in 1989, moving to InHand Productions and Vivid Video. Catalina president Mike Merrick left and new studio head Christian Mann took over.

Mann rehired LaRue, and put him to work on his first film, Billboard (starring Joey Stefano). LaRue credits Masters with forcing him to learn more about directing, which led to his eventual directorial career. The change in management at Catalina led Masters to significantly cut back on his duties. While he still managed productions, he became far less involved in casting decisions. When Merrick eventually purchased Catalina from Higgins, Masters decided to leave the studio.

In 1991 Masters met Matt Powers, a newcomer to adult film. Masters cast Powers in Lifeguard on Duty. The two eventually became lovers, although the relationship did not last.

That same year, Masters discovered a number of noted adult film performers. He discovered Lex Baldwin, brother of straight porn star T. T. Boy. Although Masters opposed producing the film, Baldwin was cast in Powertool 2, the sequel to the noted Jeff Stryker debut film, Powertool. He also discovered muscular, blond and versatile performer Cody Foster, and cast him in Foster's first film, Malibu Pool Boys (1991). Finally, he discovered performer (and now director) Blade Thompson, and cast him in his first film, Behind the Barn Door.

In 1992, Masters left Catalina. John Travis, too, had left Catalina after a contract dispute and began using the name "John Trennel." The two directors co-founded Studio 2000 in late 1992.

Masters announced his retirement in 1999. But he quickly returned to making adult film. He and John Travis found and hired Czech photographer Jan Novak to produce Studio 2000 International line with European talents. During the 14 years in which Masters co-owned Studio 2000, the studio won numerous awards at the Grabbys, Gay Erotic Video Awards, and GayVN Awards.

In April 2006, Masters and Travis sold Studio 2000 to former Falcon Entertainment consultant David McKay. Masters continued with the studio as a consultant until October 2006. He is now retired and lives in California.

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Source: Wikipedia, the free encyclopedia

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